Amidst the historic canals and cobblestone streets of Venice, the Nigerian Pavilion emerges as a beacon of cultural vibrancy at the 60th International Art Exhibition. it marks Nigeria's triumphant return to this global stage, curated by the visionary Aindrea Emelife, Curator of Modern and Contemporary Art at the Museum of West African Art in Benin City.
A diverse array of artists, including renowned figures like Yinka Shonibare CBE RA and emerging talents like Tunji Adeniyi-Jones, come together to explore the multifaceted layers of Nigerian identity and history. Commissioned by Governor Godwin Obaseki of Edo State, the exhibition exclusively features commissioned, site-specific works that are thoughtfully scattered throughout the historic Palazzo Canal in Venice’s Dorsoduro.
"Nigeria Imaginary" delves into the collective consciousness of Nigeria, capturing a sense of optimism rooted in cultural heritage. As curator Aindrea Emelife elucidates, it's a vibrant exploration of inherited legacies and visionary futures. Each artist brings a unique perspective, from Tunji Adeniyi-Jones' site-specific intervention blending Nigerian and Venetian traditions to Ndidi Dike's poignant reflection on the End SARS movement.
Toyin Ojih Odutola transports visitors to the Mbari house, a symbol of creative resurgence in post-independence Nigeria, while Abraham Oghobase challenges notions of objectivity and authority through his installations.
Precious Okoyomon's innovative radio tower turned instrument captures atmospheric conditions alongside the confessions of Nigerian poets, artists, and writers, inviting a sensory journey.
Fatimah Tuggar's installation harnesses technology to explore cultural erosion, while Yinka Shonibare's majestic sculptures pay homage to Nigeria's history, notably the Benin Bronzes looted in 1897. The pavilion also hosts "The Nigeria Imaginary Colloquium," showcasing historic and contemporary objects that deepen the exhibition's themes.